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Asian Fashion Ethnic Variety, Outdated & No Dominant Influence/Азиатская мода Этническое разнообразие, устаревшее и отсутствие доминирующего влияния

Cultural multiplicity has touched many areas of day-to-day living. One such example of the promotion of positive cultural multiplicity can be found inside the fashion industry. Open up the pages of popular magazines and you will find an impressive display of cultural stimuli. Gota Patti evokes strong feeling of Rajasthan. Tropical flowers disseminated across a shirt or skirts remind us Goan beaches. Nose pins, bindis or henna are being exhibited on the international ramps. The shapes of our clothing reflect many cultures from the flowing intricate wraps of Chania Cholis of Gujarat to simple white saris of Kerala to the simplicity of a simple tunic& skirt from North Eastern states. Different fabrics from rich textured brocades from Banaras to soft elegant Pashminas provide us with glimpses into another ethnic culture. Fashion today is at the foreground of the cultural multiplicity drive, stimulating appreciation of other humanities. ______________________________________________________ Культурное многообразие коснулось многих областей повседневной жизни. Один из таких примеров поощрения позитивного культурного разнообразия можно найти в индустрии моды. Откройте страницы популярных журналов, и вы найдете впечатляющую демонстрацию культурных стимулов. Гота Патти вызывает сильное чувство Раджастана. Тропические цветы, рассыпанные по рубашке или юбке, напоминают нам пляжи Гоа. Носовые булавки, бинди или хна выставляются на международных рампах. Формы нашей одежды отражают многие культуры, от плавных замысловатых накидок Ханья Чолис в Гуджарате до простых белых сари Кералы до простоты простой туники и юбки из северо-восточных штатов. Различные ткани, от богатой фактурной парчи от Banaras до мягкой элегантной пашмины, позволяют нам заглянуть в другую этническую культуру. Сегодня мода находится на переднем плане культурного многообразия, стимулируя признание других гуманитарных наук

Comments

  1. BullJanuary 24, 2021 at 2:16 PM

    Cultural wise Chinese influence was relatively intensive, in the sense of Chinese letters, but language is quite local, so no interactive communications at all. Wearing fashion
    reflecting more locality, no dominance trend. Language barrier existed over dozens century. No leading language has been there much influencing each other.
    No traffic means developed, triggering population move, no international market either.
    Locality confined cultures were mushroomed. The fashion staged style not is affecting
    daily wearing at all. Westernized working friendly costumes is main stream.

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  2. BullJanuary 24, 2021 at 2:18 PM

    В культурном отношении китайское влияние было относительно интенсивным, в смысле китайских букв, но язык довольно местный, поэтому интерактивного общения не было вообще. Ношение моды, отражающей большую местность, без тенденции доминирования. Языковой барьер существовал на протяжении десятков веков. Ни один ведущий язык не оказал большого влияния друг на друга. Нет транспортных средств, вызывающих перемещение населения, нет и международного рынка.
    Культуры, приуроченные к местности, стали грибами. Модный постановочный стиль совершенно не влияет на повседневное ношение. Западные рабочие костюмы - это основной поток.

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